Written and produced by Sam Shackleton and Waclaw Zimpel. Electronics, sequencing, and programming by Sam Shackleton. Alto clarinet, violin, harmonium, e-piano, organ, frame drum, percussions, lira, and monochord by Waclaw Zimpel, If Shackleton made Klezmer... Watching Shackleton&#

Félicia Atkinson synchs her feelings into a watercolour suite of solo keys, voice and field recordings on her gorgeous recording for our Documenting Sound series, 40 minutes of new music that we wager will take your breath away.  Félicia was undertaking an artistic residency in

The second volume of Kevin Martin's 'Frequencies for Leaving Earth’ series is a 10 track / 50 minute ascent into airless frequencies written for mellotron and sub bass and making repeated use of Shepard tones for an elevated sense of weightlessness and disorientation. The Tarkovsky ref

Stroom hold a light to the delicious Belgy dirge “pop” of Adult Fantasies, sifting Nico-meets-Coil and Jonnine-esque gems from their run of late ‘80s/early ‘90s LPs for Antler and Sub Rosa. This label is all nostalgia for shit we never knew existed but which we feel like we&r

Killer, freaked R&B, pop and tarraxho zingers from one half of Lisbon/Glasgow’s Yong Yong, Luar Domatrix, spinning perpendicular to Principe, Equiknoxx and Hakuna Kulala in wicked screwball style . TIP!!!! Favoured by the likes of Jon K and Debonaire on NTS, Luar Domatrix sees the Portu

Ekin Fil has been refining her talents in the realm of the film score. Since her first recordings published by Root Strata and Students of Decay, she has always exhibited a preternatural ability to express the saddest of emotions through sound. Once channeled through the lens of a gauzy sh

Uwe Schmidt runs sly and dry commentary on modern electro-dance-pop, recalling a ruder take on his seminal Pop Artificielle project with nods to Rian Treanor, PC Music and Grimes. Full of upfront, processed vocals and precision tuned, up-to-the-moment drum programming, ‘<3’ is the

Floating, syncopated minimal techno and ambient moves from Waon-P landing between Huerco-S, Beatrice Dillon and SND for The Trilogy Tapes Teamed up with fellow Tokyo native BRF, he turns out the perfectly pensile, restless house shuffle of ‘dante2infelno (donfellianoeverythingmix)’ in

Jay Glass Dubs’ metamorphosis into avant-dub-noise songwriting sloshes to new high water marks in ’Soma’, following a pair of ace twelves with a full 2LP of all-over-the-place brilliance for Berceuse Heroique, somewhere between @mbient pop, gnashing junglist drums and squashed

Mindbending ambient/noise legends Christoph Heemann and Timo Van Luijk (Af Ursin) mark a vertiginous zenith of collaborative energies on their first In Camera album since 2016, part of a precious new batch on La Scie Dorée Channelling classic Berlin skool kosmiche of Conrad Schnitzler and

Prime, unreleased bounty of concrète experiments by Belgian autodidact Joris De Laet, recalling the unleashed AI imagineering of Roland Kayn and action from the legendary IPEM Studio. Born in 1947 in Belgium, Joris De Laet is a self-taught practitioner of avant-garde electronic music, or w

Eminent field recordist/alchemists Watson & Rodgers hear Giacinto Scelsi in the natural world on their respective longform works for Adrian Corker’s SN Variations label. Forming a partner work to Chris Watson’s piece on 2016’s ‘Scelsi’ EP, and a warm introduction

With their first LP in over three years, Californian psych-dub duo Peaking Lights return with a kaleidoscopic collection of lo-fi, escapist-electronic pop. "Over their illustrious twelve-year-plus career, the husband and wife duo of Aaron Coyes and Indra Dunis have set themselves apart with

Pierre Guerineau untethers bandmate and partner Marie Davidson to flash his considerable sound designer chops along noirish sci-fi synth and cinematic-classical vectors, premiering his Feu St-Antoine project as the debut release on the promising new Éditions Appærent label - a stunningl

Sons of Ethiopia is a mostly instrumental album, rich with global influences. It is one of the few recordings to be produced outside Ethiopia in the early 1980s. It is a key document of the Washington DC exile scene. The core members of Admas – Tewodros ‘Teddy’ Aklilu, Henock Temes

Vienna’s chra summons demonic dissonance and hackled noise on her 3rd album for Editions Mego, landing somewhere between Kevin Drumm and Hecate or the murky projection of Thought Broadcast ‘Seamons’ sees modern goth chra continue an “ongoing exploration of suffocating abst

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The other week we dreamt that we asked Jonnine aka Jonnine Standish of f#cking HTRK to make some music for a tape series. She ended up sending us what was essentially a 9 track album of new songs featuring Jonnine on bass guitar, a Mopho synth, a wave drum and an electric wind instrument, plus her v

Modern classical maestro Max Richter takes his turn at easing the world’s woes, or at least provide space for reflection on them, by setting the Universal Declaration of Human Rights to music in with the ambitious Voices project  Inspired by the 1948 UN document which takes on a partic

Falty DL coaxes class gear from Dego, Horsepower Productions, µ-Ziq, Todd Osborn and his Blueberry Records gang.  Run go check Horsepower Productions’ archival hardcore salvo ‘The Doktor’ for 8 mins of early dark side breakbeat pressure in a killer ’91-’92

Barely known outside of his home country during his lifetime, the late Japanese ambient music pioneer Hiroshi Yoshimura has seen his global stature rise steadily in the past few years. "The 2017 reissue of his lauded debut, Music For Nine Post Cards, along with a slow building cult internet

Felix Hall finally lets his Chrome imprint loose with this stamped promo 7” pressing of an almost mythical early 00's dancehall holy grail, featuring a previously unreleased, extended version of the instrumental alongside two differently mixed vocal cuts on the flip. This one’s a tot

Story-telling, lyrical guitar artistry from J.H. Guraj, an enigmatic project by Italian artist Dominique Vaccaro, surely resonating with Sir Richard Bishop, Ben Chasny and Loren Connors styles Detectably inflected with a smoky Middle Eastern accent, Vaccaro’s playing on ‘Introspection

Ancient Indonesian tradition meets doom metal in profoundly Ur ways on Stephen O’Malley and Senyawa’s collaborative commission for choreographer Gisèle Vienne, highly recommended if you’re into Sunn O))), Keiji Haino, Nazoranai, Phurpa, KTL. Following a decade of creative